Wanna Say

In its short-animation form, the work combines a retro film grain with the 'blood light' visual — frames accidentally blocked by a finger while shooting become a theatre of silhouettes, spotlights and displaced shadows.

In its interactive-installation form, two short-throw projectors on left and right split the space into two frames: the left cuts the viewer's body posture directly into the image; the right generates red polygons and rectangles in real time from moving elements. The two sides overlay with deliberate misalignment in space, forming a theatre you can walk into.

The two forms share one name because they tell the same thing: what photography left unspoken is spoken again by the body.